No Original Research @ Snel Hest …

No Original Research is a new series of 11 art websites which are premiering today as part of the Snel Hest exhibition at the Alingsas Konsthallen (Sweden). For a complete list of pieces included in the series go to: (more info here).

No Original Research is a series of art websites, each created from a single animation and audio file found on The title originates from one of Wikipedia’s core content policies, which states that all material must “cite reliable, published sources that directly support the material being presented”. The URL of each composition serves as its title, describing the repeated animation and the background color. The use of these gifs and HTML color names are a celebration of content driven by function and necessity. Compositions are created by copying a found animated gif file dozens of times and embedding them into a single HTML page. When the browser tries (and fails) to load all of the files simultaneously they become out of synch, creating an animation cycle that visualizes the latencies specific to the viewer. Each viewing is a unique experience dictated by the speed of the network, the browser used and the speed of the computer.

Information on the Wikipedia content used to create the pieces can be found by viewing the page source of the individual pieces.

Commissioned by the Alingsas Konsthallen.

Hello World…

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My new studio (with studio mate Benjamin Gaulon) is now fully operational in Paris’s 11th arrondissement. Mathieu Tremblin (of Les Freres Ripoulain) christened the place with a new piece. Passersby can conduct a studio visit by going to my Offline Art node, which will be displaying unreleased pieces and works in progress. You can also visit the studio on the deep web at http://65zg2mx5bipqf2nn.onion/ (Tor browser required).

‘Previously in the City: BASIC’ by Mathieu Tremblin, 2014, Paris

Offline Art Node

Pencil / Line / Eraser at Carroll Fletcher

(Photo by Robin Reeve, courtesy Carroll / Fletcher Gallery)

I’m excited to be a part of the Pencil / Line / Eraser exhibition at Carroll / Fletcher gallery in London, “a group show surveying recent works in expanded drawing which use paper and line as a point of departure.” From August 1 to September 13, 2014.

Silhouettes (March 24 to June 24, 2014)
1030g drawing board
315 x 160cm
(Photo by Robin Reeve, courtesy Carroll / Fletcher Gallery)

Casual Computing No. 1, 2014 (Candy Crush)
Lambda print face mounted on acrylic, dibond backing
90 x 90cm
(Photo by Robin Reeve, courtesy Carroll / Fletcher Gallery)

Next, Next, Next at Phillips….

Next, Next, Next
lambda print face-mounted to acrylic, flush-mounted to Dibond in artist’s frame

I’m participating in the Lindsay Howard curated PADDLES ON! LONDON AUCTION at Phillips. The auction takes place at the Phillips auction house (Howick Place London SW1P 1BB) on July 3, 2014 at 7PM. Online bidding ends July 2nd (Wednesday) on Paddle8. I did a short interview with New York Times reporter Scott Reyburn, which can be read here: On Screen and on the Block: The market for computer-created artwork is growing. I also participated in a related panel discussion, ‘Digital Art and Economies of Scale‘.

Kopimi Totem w/ Piratbyrån

Kopimi Totem
WIFI routers
82cm x 34cm x 52cm

Kopimi Totem is a new piece created in collaboration with Piratbyrån for the exhibition Piratbyrån and Friends at Furtherfield Gallery in London. It was honor to meet, work and share wall space with my cultural heroes. For those in London, I suggest spending some time with the exhibition as there is so much more to their story than what is found online (bring a hard drive and maintain hardline Kopimi).

Geraldine has a great set of photos of the exhibition. I also have some here.

More about the piece here:

The Kopimi Totem is a sculpture composed of seven open wireless routers arranged in the iconic Kopimi pyramid. The shape of the sculpture is also mirrored in ASCII form when a visitor opens the wireless settings on her laptop or mobile device. The network names (SSID) of each of the routers are arranged by default alphabetically to create a mirrored digital totem within the connecting device’s operating system. When visitors connect to each of the routers, they will have access to download archival media (text, images, video, etc) from the 10 year history of the Piratbyrån organization. Kopimi, an idea created by Piratbyrån member Ibi Kopimi Botani, is an alternative to copyright that not only expressly allows all forms of copying, but encourages it. In addition to downloading files, visitors to the Kopimi Totem can also upload their own files, thus contributing to the harmony of the data life cycle of copy (yin) and paste (yang). When a visitor connects to all seven of the routers in the sculpture, the network names will be saved (“collected”) in the operating system’s list of visited/preferred networks, recreating the ASCII pyramid once again and acting as a token of this pilgrimage.

More about the exhibition here:

“Piratbyrån and Friends traces the stories of cultural sharing and affinity-building among the activities and values of the members of Piratbyrån (The Bureau of Piracy). This Swedish artist/activist group was established in 2003 to promote the free sharing of information, culture and intellectual property. The exhibition presents screenings, installations and artworks by founding and more recent members, keen to tell the story of the group on their own terms”

The Kopimi Totem was built using PirateBox with big thanks to Matthias Strubel.

Born Digital: Online Benefit Auction on Paddle8

Female, 34, NASA scientist, College Park, Maryland (March 2013)
Internet Cache Portrait series
Lambda print face mounted on acrylic, dibond backing
90cm x 90cm

I have a new piece in “Born Digital,” a Paddle8 benefit auction in support of LINK Center for the Arts of the Information Age. Bidding starts today, April 15, at 12 pm EST and ends April 30.

My piece can be viewed (and bid on) here:


LINK Center for the Arts of the Information Age is an Italian-based multidisciplinary organization that promotes artistic research, curates exhibitions and presentations, and publishes an active book series. This is a very worthwhile cause and I encourage everyone to take a look at the auction site, which includes pieces from an exciting collection of artists:

Alterazioni Video, Anthony Antonellis, Aram Bartholl, Erik Berglin, Enrico Boccioletti, Heath Bunting, Marco Cadioli, Martin John Callanan, Gregory Chatonsky, Adam Cruces, Caroline Delieutraz, Harm Van Den Dorpel, Constant Dullaart, Electroboutique, Herbert W. Franke, Elisa Giardina Papa, Matteo Giordano, Emilio Gomariz, IOCOSE, Janez Janša, Janez Janša, Janez Janša, JODI, Joan Leandre, Jan Robert Leegte, Jonas Lund, Rosa Menkman, Filippo Minelli, Vera Molnar, Jaakko Pallasvuo, Angelo Plessas, Evan Roth, Alexei Shulgin, Clement Valla, Carlo Zanni

Since You Were Born

Since You Were Born, a piece from my Memory exhibition at Niklas Belenius gallery, is now available in print and pixels as part of the LINK Center for the Arts of the Information Age’s In My Computer series. I’m very thankful to Domenico Quaranta for his thoughtful introduction as well as his role in its production and publication.

“Since You Were Born is a book composed of the chronological
history of every website visited on the artist’s computer over a three
month period beginning with the birth of his daughter Octavia
(July 19, 2013)… (It) offers a picture of the web, taken at
an instant that is meaningful in the personal life of one of its users,
but completely random in the life of the medium, and from a
very specific point of view (a single user’s computer) that is rarely
~Domenico Quaranta

Since You Were Born is available in Print on Demand on and for free download on, and
dimensions variable
2014 counts down to the moment when the work of Christopher George Latore Wallace (aka the Notorious B. I. G.) enters the public domain and is free of copyright. This clock is based on U.S. copyright law, which extends to the beginning of the calendar year 70 years after the death of the artist. On New Year’s morning January 1, 2068 (GMT -5), this page will play Wallace’s work for the first time in the public domain.

The piece was built from Keith Wood’s jQuery Countdown and is available under the MIT license.

Originally exhibited as part of the Full Screen exhibition curated by Aram Bartholl at XPO Gallery in Paris.

Images courtesy of XPO Gallery, Paris

Flight Mode updates…

We Make Money Not Art’s Régine Debatty wrote a nice piece about my Flight Mode exhibition at the Aksioma Institute for Contemporary Arts in Ljubljana. The text can be downloaded here (.pdf). You can download other publications in this very interesting series here.

In connection with the publication, I am also releasing a new web piece:

Documentation from Flight Mode can be viewed here and here. Big thanks to Régine Debatty, and to Janez Janša and Sonja Grdina, who curated and produced the exhibition and publication.

Better 1337 Than Never Mixtape (X-Mix 2013)

Welcome to the 10th annual X-MIX, an end of the year mixtape celebration (admittedly a bit late). As always, these aren’t necessarily songs that were released last year, but just a collection of favorite things I listened to in 2013. Merry (late) X-MIX Internet!

(download here)

Track listing:
– Len Smith, Copyright Basics: How to Protect Your Work from Piracy
– Paul Simon, Diamonds On The Soles Of Her Shoes
– Jay Z (Ft Rick Ross), Fuck With Me You Know I Got It
– 2 Chainz, Where U Been?
– Velvet Underground, Sunday Morning
– A$AP Ferg, Let It Go
– James Blake, Life Round Here
– Killer Mike and El-P, Run The Jewels
– David Bowie, Rock n Roll Suicide
– 2 Chainz, Fork
– The Beatles, A Taste of Honey
– Rockabye Baby, Sweet Child O’ Mine
– Jay Z, Tom Ford
– Boldy James, BOLD
– Wu-Tang Clan, For Heaven’s Sake
– FeDEX, Hold music
– Len Smith, Copyright Basics: How to Protect Your Work from Piracy

Or, skip the mix and head straight for the hit single Sweet Child O’ Mine (lullaby version) –Vs— Tom Ford (Jay-Z):

Ghosts of X-MIX past: 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005, 2004

Intellectual Property Donor on view through March 2

Intellectual Property Donor
Ezra and Cecile Zilkha Gallery
February 5 – March 2, 2014
Curated by Ginger Duggan and Judith Fox
Wesleyan University, Middletown, Connecticut

(Full documentation here.)

Level Cleared
(Multi-Touch Series)
Ink on tracing paper
Dimensions variable

A Tribute to Heather
Websites on routers
20cm x 40cm x 25cm

Slide to Unlock: Multi-Touch Painting Series
Vinyl print
600cm x 450cm

(Photo by John Groo, courtesy of Wesleyan University)

Internet Cache Self Portrait (3/2013 – 6/2013)
Vinyl print
150cm x 4224cm

Graffiti Analysis
Sculptures, video and custom software
Dimensions variable

Intellectual Property Donor
5cm x 2cm

Propulsion Painting: Wheel
Mixed media
80cm x 80cm x 20cm


Niklas Belenius Gallery
January 25 – March 2, 2014
Stockholm, Sweden

(More documentation here and here.)

(Courtesy Niklas Belenius Gallery.)

Forgetting Spring
(March to June 2013)
Compressed vinyl print

(Courtesy Niklas Belenius Gallery.)

Silhouettes (July 27 to November 4, 2013)
1030g drawing board

(Courtesy Niklas Belenius Gallery.)

(Courtesy Niklas Belenius Gallery.)

Not In Use
Used laptop and screensaver software
44cm x 36cm x 12cm

(Courtesy Niklas Belenius Gallery.)

Female, 32, Speech language pathologist, London, Ontario (March 2013)
Internet Cache Portrait series
C-print face mounted on acrylic, dibond backing
90cm x 90cm

(Courtesy Niklas Belenius Gallery.)

Since You Were Born
28cm x 22cm

(Courtesy Niklas Belenius Gallery.)

Memory (solo exhibition) opens in Stockholm on Jan. 25th

Gallery Niklas Belenius
Memory (solo exhibition)

Opening 25.1, 15-19

In Memory, Evan Roth stages a confrontation between human memory and the unconscious of the Internet.

Our technical devices remember much more than we want them to. The computer cache memories register all our movements in digital space. Roth turns these memories inside out and brings forth a manifold of hidden stories. Thereby he is letting us view ourselves with the indifferent eyes of technology.

The exhibition is an archive of an archive, with portraits of various person’s daily online activities, a 42 meter long vinyl print with four months of Internet history compressed to a sculpture, laser etchings and the thoughtful little book Since You Were Born, dedicated to the artist’s daughter. The book can be read in two opposite ways: as a beautiful story about the relation between a father and his new-born child, and as a reflexion of our intimate relationship with the web.